Gansch schön groß – Thomas Gansch & Orchester

Classical, jazz, folk music, schlager, funk, pop, variety, brass band music, rock, chamber music, fusion, new music, opera, big band, cabaret, theater…
These are just a few of the areas that are always present in my work and they are all equally important to me.

I am the result of my experiences and because I have always absorbed everything musical like a sponge and have never drawn dividing lines between the styles, I am now in the fortunate position of being able to make music from all directions with the best in their field.
But how do you present the whole spectrum, how do you bring these many influences to the stage as a distillate? With a large orchestra, of course!

In the classical concert business, however, the crux of being a soloist is this:
I think it’s a shame to reduce it to a marginal phenomenon in the concert program.
The soloist, who is usually traveling alone anyway, is limited to the last available rehearsal session with the orchestra, the dress rehearsal and the first fifteen minutes of the concert. There’s hardly any time to work on the repertoire and you remain more or less anonymous. But what would it be like if the soloist performed the whole evening?

It will be exciting, entertaining and new for everyone involved if I set out to lead you through an exciting evening full of musical adventures with my own compositions and arrangements, as an instrumentalist, singer and presenter all in one.
Take a look at this!
[Thomas Gansch]